One of the most fantastic artistic attributes of the Balinese culture is the Ogoh-ogoh. Extraordinary papier-mâché and bamboo representations of external and inner demons manifest as frightening giant sculptures. Ogoh-ogoh are paraded through village crossroads across Bali during the Ngrupuk parade on the eve of Nyepi. A cleansing ceremony that ushers in the first day

Balinese artist and activist, Marmar Herayukti, shared his philosophy behind his re-introduced work ‘Paksi Ireng’, the Blackbird. An ogoh-ogoh statue that  asks its viewers to question their perspective on nature, natural disasters and how humans fit into the natural world. Man vs Nature The anthropocene. The age of humans, an (unofficial) epoch defined by humanity’s

One of the most enjoyable aspects of observing the Bali art scene is witnessing young artists’ creative development. To grow, budding artists must take risks and experiment. Some willingly embrace change, others less so. An artist’s career is about the journey, not the destination. There is no substitute for dedication, honesty and hard work. Contemporary

One of the many fascinating aspects of the Balinese culture is the recording of sacred knowledge onto miniature manuscripts known as the lontar. Characters scribed with a sharp instrument into dried palm leaves are then rubbed with hazelnut containing a black dye. The access is removed, revealing fine graphic lines upon the pale beige coloured

‘The Island of the Gods’ is an incomparable sensuous experience. Mysterious and captivating, our perception encounters fascinating visual and non-visible layers. Bali’s thriving artistic landscape increasingly contributes an aesthetically potent and relevant dimension.  One young artist has recently impacted the local art scene, initially honing his ideas within the street art realm. I Wayan Subudi

Indonesian society has evolved with an array of distinct visual languages. The wayang shadow puppet theatre is one of the original communication modalities to educate, entertain and capture the multi-ethnic cultures’ imagination. The modern era, however is plagued by digital imagery overload and the urban hubs are saturated with visual advertising pollution. Art calms the

“The pandemic triggered me to reflect upon the fragility of being and humanity’s vulnerability to the forces of nature. It has had a powerful impact upon my life,” says contemporary Indonesian artist Bianca Timmerman, who lives in Perenenan, South Bali. “The threat of the virus required me to become vigilant and more aware; to endeavour

The 2020 pandemic has had a disastrous effect upon the Bali economy. Heavily dependent upon tourism, international travel restrictions continue to impact negatively upon the earning capacity of the majority of the island’s population. Especially hard hit are the artists of Bali. The 21st-century creative economy offers growing opportunities for the younger, tech-savvy generations. Artists

The winds of change are upon us, and 2020 is the benchmark. A revolutionary new generation has dawned upon Bali that is determined to alter the future course of the island. Empowered by the 21st-century digital creative economy, this is a thriving youth ‘movement’ compelled by a strong sense of personal and collective enquiry. One

Sadness struck Bali’s art community as news spread of the passing of Made Wianta on 13 November 2020, at the age of 70. Made Wianta is considered one of Bali’s most revered contemporary artists, one who broke the mould of Bali’s classical and traditional painting and went beyond any possible creative expectations. His career has

Photorealism painting is a genre that demands extraordinary patience and skill. It involves the artist studying a photograph and then reproducing the image as realistically as possible in another medium, mostly in oil or acrylic paints.  Photorealism painting reached its plateau in popularity in the Indonesian contemporary art world about a decade ago, and Balinese